A SCHOLARLY BOOK REPOSITORY1915 start with S start with S
Contributors to this issue represent a wide range of disciplines, from Latin American studies and sociology to political theory and literary criticism. They bring a global perspective to the social and political legacy of the 1960s, touching on the Caribbean, Latin America, the former USSR, China, and France, as well as the United States. One contributor presents a reexamination of Latin American armed struggles in the 1960s that foregrounds the relatively positive influence of these struggles on present-day Latin American society and politics. Another contributor translates a seminal essay on José Martí written by one of Cuba’s foremost intellectuals in the mid-1960s, when the course of the Cuban revolution was still uncertain. Yet another contributor considers the forces that have sought to neutralize the struggles and negate the gains of the African American liberation movement in the 1960s American South.
Contributors. John Beverley, Anthony Bogues, Christopher Connery, Roberto Fernández Retamar, Wlad Godzich, Boris Kagarlitsky, Nina Power, Hortense Spillers, Silvia D. Spitta, Alberto Toscano
“If you remember the Sixties,” quipped Robin Williams, “you weren’t there.” That was, of course, an oblique reference to the mind-bending drugs that clouded perception—yet time has proven an equally effective hallucinogen. This book revisits the Sixties we forgot or somehow failed to witness. In a kaleidoscopic global tour of the decade, Gerard DeGroot reminds us that the “Ballad of the Green Beret” outsold “Give Peace a Chance,” that the Students for a Democratic Society were outnumbered by Young Americans for Freedom, that revolution was always a pipe dream, and that the Sixties belong to Reagan and de Gaulle more than to Kennedy and Dubcek.
The Sixties Unplugged shows how opportunity was squandered, and why nostalgia for the decade has obscured sordidness and futility. DeGroot returns us to a time in which idealism, tolerance, and creativity gave way to cynicism, chauvinism, and materialism. He presents the Sixties as a drama acted out on stages around the world, a theater of the absurd in which China’s Cultural Revolution proved to be the worst atrocity of the twentieth century, the Six-Day War a disaster for every nation in the Middle East, and a million slaughtered Indonesians martyrs to greed.
The Sixties Unplugged restores to an era the prevalent disorder and inconvenient truths that longing, wistfulness, and distance have obscured. In an impressionistic journey through a tumultuous decade, DeGroot offers an object lesson in the distortions nostalgia can create as it strives to impose order on memory and value on mayhem.
"Intellectually deft and lively to read, Skate Life is an important addition to the literature on youth cultures, contemporary masculinity, and the role of media in identity formation."
---Janice A. Radway, Northwestern University, author of Reading the Romance: Women, Patriarchy, and Popular Literature
"With her elegant research design and sophisticated array of anthropological and media studies approaches, Emily Chivers Yochim has produced one of the best books about race, gender, and class that I have read in the last ten years. In a moment where celebratory studies of youth, youth subcultures, and their relationship to media abound, this book stands as a brilliantly argued analysis of the limitations of youth subcultures and their ambiguous relationship to mainstream commercial culture."
---Ellen Seiter, University of Southern California
"Yochim has made a valuable contribution to media and cultural studies as well as youth and American studies by conducting this research and by coining the phrase 'corresponding cultures,' which conceptualizes the complex and dynamic processes skateboarders employ to negotiate their identities as part of both mainstream and counter-cultures."
---JoEllen Fisherkeller, New York University
Skate Life examines how young male skateboarders use skate culture media in the production of their identities. Emily Chivers Yochim offers a comprehensive ethnographic analysis of an Ann Arbor, Michigan, skateboarding community, situating it within a larger historical examination of skateboarding's portrayal in mainstream media and a critique of mainstream, niche, and locally produced media texts (such as, for example, Jackass, Viva La Bam, and Dogtown and Z-Boys). The book uses these elements to argue that adolescent boys can both critique dominant norms of masculinity and maintain the power that white heterosexual masculinity offers. Additionally, Yochim uses these analyses to introduce the notion of "corresponding cultures," conceptualizing the ways in which media audiences both argue with and incorporate mediated images into their own ideas about identity. In a strong combination of anthropological and media studies approaches, Skate Life asks important questions of the literature on youth and provides new ways of assessing how young people create their identities.
Emily Chivers Yochim is Assistant Professor in the Department of Communication Arts, Allegheny College.
Cover design by Brian V. Smith
Northwestern Plains prehistory and early history as told by human bones is vivid and dramatic. The skeletal and burial record spans thousands of years, a wide geographic expanse, and contains important evidence of human existence in this vast region of North America. This book helps clarify the emerging picture.
Most of the contributions assembled here were initially presented as part of a symposium at the Plains Conference in Oklahoma City in 2003. Twenty-one preeminent scholars, working across many fields within bioarchaeology and skeletal biology—including paleopathology, dental pathology, and human osteology—bring their expertise to bear not only on prehistoric Native American burials, but on numerous other case studies. They look at specific Wyoming samples of pioneer-era burials, Indian War–era casualties, historic Chinese burials, and remains from the Benick Ranch and the Korell-Bordeaux sites. Reports on Crow Indian mummies from Montana and military burials from Missouri and Nebraska continue the exploration into recent historic times.
Human burials provide a rich source of information about people’s lives—who they were, what activities they pursued, and how they may have participated in rituals of death and mourning. This volume is an authoritative statement on both the skeletal biology and bioarchaeology of the entire Northwestern Plains.
Sketch for a Self-Analysis is the ultimate outcome of Bourdieu’s lifelong preoccupation with reflexivity. Vehemently not an autobiography, this unique book is instead an application of Bourdieu’s theories to his own life and intellectual trajectory; along the way it offers compelling and intimate insights into the most important French intellectuals of the time—including Foucault, Sartre, Aron, Althusser, and de Beauvoir—as well as Bourdieu’s own formative experiences at boarding school and his moral outrage at the colonial war in Algeria.
Ostfeld and Yadon surveyed over 1,300 people about their political views, including party affiliation, their opinions on welfare, and the importance of speaking English in the U.S. The authors created a matrix grounded in their “Roots of Race” framework, which predicts the relationship between skin color and political attitudes for each ethnoracial group based on the blurriness of the group’s boundaries and historical levels of privilege. They draw upon three distinct measures of skin color to conceptualize the relationship between skin color and political views: “Machine-Rated Skin Color,” measured with a light-reflectance meter; “Self-Assessed Skin Color,” using the Yadon-Ostfeld Skin Color Scale; and “Skin Color Discrepancy,” the difference between one’s Machine-Rated and Self-Assessed Skin Color.
Ostfeld and Yadon examine patterns that emerge among these measures, and their relationships with life experiences and political stances. Among Latinos, a group with relatively blurry group boundaries and low levels of historical privilege, the authors find a robust relationship between political views and Self-Assessed Skin Color. Latinos who overestimate the lightness of their skin color are more likely to hold conservative views on current racialized political issues, such as policing. Latinos who overestimate the darkness of their skin color, on the other hand, are more likely to hold liberal political views. As America’s major political parties remain divided on issues of race, this suggests that for Latinos, self-reported skin color is used as a means of aligning oneself with valued political coalitions.
African Americans, another group with low levels of historical privilege but with more clearly defined group boundaries, demonstrated no significant relationship between skin color and political attitudes. Thus, the lived experiences associated with being African American appeared to supersede the differences in life experiences due to skin color.
Whites, a group with more historical privilege and increasingly blurry group boundaries, showed a clear relationship between machine-assessed skin color and attitudes on political issues. Those with darker Machine-Rated Skin Color are more likely to hold conservative views, suggesting that they are responding to the threat of losing their privilege in a multicultural society.
At a time when the U.S. is both more diverse and politically divided, Skin Color, Power, and Politics in Americais a timely account of the ways in which skin color and politics are intertwined.
Written by some of the nation's leading thinkers on race and colorism, these essays ask whether skin tone differentiation is imposed upon communities of color from the outside or is an internally-driven process aided and abetted by community members themselves. They also question whether the stratification process is the same for African Americans, Hispanics, and Asian Americans.
Skin Deep addresses such issues as the relationship between skin tone and self esteem, marital patterns, interracial relationships, socioeconomic attainment, and family racial identity and composition. The essays also grapple with emerging issues such as biracialism, color-blind racism, and 21st century notions of race.
The collection blends original and classic essays to reveal the interconnections among art, literature, public policy, the history of medicine, and theories about sexuality with regard to bodies that are both black and female. Contributors include Rachel Adams, Elizabeth Alexander, Lisa Collins, Bridgette Davis, Lisa E.Farrington, Anne Fausto-Sterling, Beverly Guy-Sheftall, Evelynn Hammonds, Terri Kapsalis, Jennifer L. Morgan, Siobhan B. Somerville, Kimberly Wallace-Sanders, Carla Williams, and Doris Witt.
Skin Deep, Spirit Strong: The Black Female Body in American Culture will appeal to both the academic reader attempting to integrate race into discussion about the female body and to the general reader curious about the history of black female representation.
Kimberly Wallace-Sanders is Assistant Professor, Graduate Institute of Liberal Arts and Institute of Women's Studies, Emory University.
Much of intercultural cinema, Marks argues, has its origin in silence, in the gaps left by recorded history. Filmmakers seeking to represent their native cultures have had to develop new forms of cinematic expression. Marks offers a theory of “haptic visuality”—a visuality that functions like the sense of touch by triggering physical memories of smell, touch, and taste—to explain the newfound ways in which intercultural cinema engages the viewer bodily to convey cultural experience and memory. Using close to two hundred examples of intercultural film and video, she shows how the image allows viewers to experience cinema as a physical and multisensory embodiment of culture, not just as a visual representation of experience. Finally, this book offers a guide to many hard-to-find works of independent film and video made by Third World diasporic filmmakers now living in the United States, Great Britain, and Canada.
The Skin of the Film draws on phenomenology, postcolonial and feminist theory, anthropology, and cognitive science. It will be essential reading for those interested in film theory, experimental cinema, the experience of diaspora, and the role of the sensuous in culture.
How does the notion of colorblind equality fit with the social and economic realities of black Americans? Challenging the increasingly popular argument that blacks should settle down, stop whining, and get jobs, Skin Trade insists that racism remains America's premier national story and its grossest national product. From Aunt Jemima Pancakes to ethnic Barbie dolls, corporate America peddles racial and gender stereotypes, packaging and selling them to us as breakfast food or toys for our kids.
Moving from the realm of child's play through the academy and the justice system, Ann duCille draws on icons of popular culture to demonstrate that it isn't just race and gender that matter in America but race and gender as reducible to skin color, body structure, and other visible signs of difference. She reveals that Mattel, Inc., uses stereotypes of gender, race, and cultural difference to mark--and market--its Barbie dolls as female, white, black, Asian, and Hispanic. The popularity of these dolls suggests the degree to which we have internalized dominant definitions of self and other.
In a similar move, Skin Trade interrogates the popular discourse surrounding the trial of O. J. Simpson, arguing that much of the mainstream coverage of the case was a racially coded message equally dependent on stereotypes. Focusing on Newsweek and Time in particular, duCille shows how the former All-American was depicted as un-American. She explores other collusions and collisions among race, gender, and capital as well. Especially concerned with superficial distinctions perpetuated within the academic community, the author argues that the academy indulges in its own skin trade in which both race and gender are hot properties.
By turns biting, humorous, and hopeful, Skin Trade is always riveting, full of strange connections and unexpected insights.
This book describes who American skinheads are, how they have developed within larger youth group scenes, their ideas and activities, the role of music in their formation and development, how they have been perceived by the media in America, and what damage they have done in American society. Jack B. Moore focuses on the cultural history of this group in America during the 1980s and suggests that while they were originally a minor distraction on the punk scene, they have grown into a dangerous and far more politically engaged source of hate thought and crime.
A collective memoir in poetry of an Ojibwe family and tribal community, from creation myth to this day, updated with new poems
Reaching from the moment of creation to the cry of a newborn, The Sky Watched gives poetic voice to Ojibwe family life. In English and Ojibwe, those assembled here—voices of history, of memory and experience, of children and elders, Indian boarding school students, tribal storytellers, and the Manidoog, the unseen beings who surround our lives—come together to create a collective memoir in poetry as expansive and particular as the starry sky.
This world unfolds in the manner of traditional Ojibwe storytelling, shaped by the seasons and the stages of life, marking the significance of the number four in the Ojibwe worldview. Summoning spiritual and natural lore, award-winning poet and scholar Linda LeGarde Grover follows the story of a family, a tribe, and a people through historical ruptures and through intimate troubles and joys—from the sundering of Ojibwe people from their land and culture to singular horrors like the massacre at Wounded Knee to personal trauma suffered at Indian boarding schools. Threaded throughout are the tribal traditions and knowledge that sustain a family and a people through hardship and turmoil, passed from generation to generation, coming together in the manifold power and beauty of the poet’s voice.
Schleier analyzes cinematic works in which skyscrapers are an integral component, interpreting the iconography and spatial practices in these often fictional modern buildings, especially on concepts of gender. Organized chronologically and thematically, she offers close readings of films including Safety Last, Skyscraper Souls, Wife vs. Secretary, Baby Face, The Fountainhead, and Desk Set. Opening with the humorous antics of Harold Lloyd, the premier skyscraper actor of the silent era, the book moves through the disillusionment of the Depression era, in which skyscrapers are employed as players in moralistic, class-conscious stories, to post–World War II and its reimagining of American political and economic values and ends with the complicated prosperity of the 1950s and the lives of white-collar workers and their spouses.
Taking inspiration from Walter Benjamin’s Arcades Project, among works of other critical theorists, Schleier creates in this book a model for understanding architecture as a purveyor of desire and class values and, ultimately, contributes broadly to thinking on the rich intersection of the built environment, cinema, and gender.
This collection's wide range of outstanding scholarship reveals that cultural astronomy has come into its own. The diverse topics addressed by the contributors include the correlation between Colonial Northern Zapotec and Gregorian calendars, the period of use of the Dresden Codex Venus table and the significance of the Lunar Almanacs that precede it, a new interpretation of an Inka tapestry mantle as a commemorative calendar, temple orientations in Hawai'i and church orientations in Medieval England, and the connection in cultural imagery between astronomers (science) and wizards (magic).
Contributors include: Harvey M. Bricker, Victoria R. Bricker, Edward E. Calnek, Clemency Coggins, John Justeson, Edwin C. Krupp, Stephen C. McCluskey, Susan Milbrath, Clive Ruggles, David Tavárez, Barbara Tedlock, Dennis Tedlock, Gary Urton, and R. Tom Zuidema. Mesoamerican Worlds Series
Slave Country tells the tragic story of the expansion of slavery in the new United States. In the wake of the American Revolution, slavery gradually disappeared from the northern states and the importation of captive Africans was prohibited. Yet, at the same time, the country's slave population grew, new plantation crops appeared, and several new slave states joined the Union. Adam Rothman explores how slavery flourished in a new nation dedicated to the principle of equality among free men, and reveals the enormous consequences of U.S. expansion into the region that became the Deep South.
Rothman maps the combination of transatlantic capitalism and American nationalism that provoked a massive forced migration of slaves into Louisiana, Alabama, and Mississippi. He tells the fascinating story of collaboration and conflict among the diverse European, African, and indigenous peoples who inhabited the Deep South during the Jeffersonian era, and who turned the region into the most dynamic slave system of the Atlantic world. Paying close attention to dramatic episodes of resistance, rebellion, and war, Rothman exposes the terrible violence that haunted the Jeffersonian vision of republican expansion across the American continent.
Slave Country combines political, economic, military, and social history in an elegant narrative that illuminates the perilous relation between freedom and slavery in the early United States. This book is essential reading for anyone interested in an honest look at America's troubled past.
Jean Andreau and Raymond Descat break new ground in this comparative history of slavery in Greece and Rome. Focusing on slaves’ economic role in society, their crucial contributions to Greek and Roman culture, and their daily and family lives, the authors examine the different ways in which slavery evolved in the two cultures. Accessible to both scholars and students, this book provides a detailed overview of the ancient evidence and the modern debates surrounding the vast and largely invisible populations of enslaved peoples in the classical world.
Winner of the Jerry H. Bentley Book Prize, World History Association
The success of the English colony of Barbados in the seventeenth century, with its lucrative sugar plantations and enslaved African labor, spawned the slave societies of Jamaica in the western Caribbean and South Carolina on the American mainland. These became the most prosperous slave economies in the Anglo-American Atlantic, despite the rise of enlightened ideas of liberty and human dignity. Slave Law and the Politics of Resistance in the Early Atlantic World reveals the political dynamic between slave resistance and slaveholders’ power that marked the evolution of these societies. Edward Rugemer shows how this struggle led to the abolition of slavery through a law of British Parliament in one case and through violent civil war in the other.
In both Jamaica and South Carolina, a draconian system of laws and enforcement allowed slave masters to maintain control over the people they enslaved, despite resistance and recurrent slave revolts. Brutal punishments, patrols, imprisonment, and state-sponsored slave catchers formed an almost impenetrable net of power. Yet slave resistance persisted, aided and abetted by rising abolitionist sentiment and activity in the Anglo-American world. In South Carolina, slaveholders exploited newly formed levers of federal power to deflect calls for abolition and to expand slavery in the young republic. In Jamaica, by contrast, whites fought a losing political battle against Caribbean rebels and British abolitionists who acted through Parliament.
Rugemer’s comparative history spanning two hundred years of slave law and political resistance illuminates the evolution and ultimate collapse of slave societies in the Atlantic World.
Obscured from our view of slaves and masters in America is a critical third party: the state, with its coercive power. This book completes the grim picture of slavery by showing us the origins, the nature, and the extent of slave patrols in Virginia and the Carolinas from the late seventeenth century through the end of the Civil War. Here we see how the patrols, formed by county courts and state militias, were the closest enforcers of codes governing slaves throughout the South.
Mining a variety of sources, Sally Hadden presents the views of both patrollers and slaves as she depicts the patrols, composed of "respectable" members of society as well as poor whites, often mounted and armed with whips and guns, exerting a brutal and archaic brand of racial control inextricably linked to post-Civil War vigilantism and the Ku Klux Klan. City councils also used patrollers before the war, and police forces afterward, to impose their version of race relations across the South, making the entire region, not just plantations, an armed camp where slave workers were controlled through terror and brutality.
Vanessa S. Oliveira traces how existing commercial networks adapted to changes in the Atlantic slave trade during the first half of the nineteenth century. Slave Trade and Abolition reveals how women known as donas (a term adapted from the title granted to noble and royal women in the Iberian Peninsula) were often important cultural brokers. Acting as intermediaries between foreign and local people, they held high socioeconomic status and even competed with the male merchants who controlled the trade. Oliveira provides rich evidence to explore the many ways this Luso-African community influenced its society. In doing so, she reveals an unexpectedly nuanced economy with regard to the dynamics of gender and authority.
More than fifty years before the question of slavery launched the United States into the bloody turmoil of the American Civil War, Britain wrestled passionately with the same issues. A flood of pamphlets published by both abolitionists and slavery proponents fueled the debate, and they are now collected here in this fascinating volume in commemoration of the Abolition of the Slave Trade Act, 1807.
Written during the 1780s and 1790s, the pamphlets confront the issues surrounding slavery, such as the Rights of Man, the economic health of the British colonies, poverty in England, and, most prominently, the economic and moral condition of the African slaves. The authors on both sides of the debate—including such prominent figures as the eventual King William IV, Sir John Gladstone (father of the future Prime Minister William Gladstone), and the leading abolitionist William Wilberforce—draw upon biblical scriptures to justify their positions, providing illuminating insights into the theological debates of the time as well. Also included in the volume are an excerpt of abolitionist James Ramsay’s journal and an informative introduction that places the writings in their historical and social contexts. The Slave Trade Debate is an essential resource for scholars of transatlantic slavery and British history.
In Slavery, Agriculture, and Malaria in the Arabian Peninsula, Benjamin Reilly illuminates a previously unstudied phenomenon: the large-scale employment of people of African ancestry as slaves in agricultural oases within the Arabian Peninsula. The key to understanding this unusual system, Reilly argues, is the prevalence of malaria within Arabian Peninsula oases and drainage basins, which rendered agricultural lands in Arabia extremely unhealthy for people without genetic or acquired resistance to malarial fevers. In this way, Arabian slave agriculture had unexpected similarities to slavery as practiced in the Caribbean and Brazil.
This book synthesizes for the first time a body of historical and ethnographic data about slave-based agriculture in the Arabian Peninsula. Reilly uses an innovative methodology to analyze the limited historical record and a multidisciplinary approach to complicate our understandings of the nature of work in an area that is popularly thought of solely as desert. This work makes significant contributions both to the global literature on slavery and to the environmental history of the Middle East—an area that has thus far received little attention from scholars.
In her concise history Slavery and Abolition in Pennsylvania, Beverly Tomek corrects the long-held notion that slavery in the North was “not so bad” as, or somehow “more humane” than, in the South due to the presence of abolitionists. While the Quaker presence focused on moral and practical opposition to bondage, slavery was ubiquitous. Nevertheless, Pennsylvania was the first state to pass an abolition law in the United States.
Slavery and Abolition in Pennsylvania traces this movement from its beginning to the years immediately following the American Civil War. Discussions of the complexities of the state’s antislavery movement illustrate how different groups of Pennsylvanians followed different paths in an effort to achieve their goal. Tomek also examines the backlash abolitionists and Black Americans faced. In addition, she considers the civil rights movement from the period of state reconstruction through the national reconstruction that occurred after the Civil War.
While the past few decades have shed light on enslavement and slavery in the South, much of the story of northern slavery remains hidden. Slavery and Abolition in Pennsylvania tells the full and inclusive story of this history, bringing the realities of slavery, abolition, and Pennsylvania's attempt to reconstruct its post-emancipation society.
The absorbing documents collected in Slavery and Secession in Arkansas trace Arkansas’s tortuous road to secession and war. Drawn from contemporary pamphlets, broadsides, legislative debates, public addresses, newspapers, and private correspondence, these accounts show the intricate twists and turns of the political drama in Arkansas between early 1859 and the summer of 1861. From an early warning of what Republican political dominance would mean for the South, through the initial rejection of secession, to Arkansas’s final abandonment of the Union, readers, even while knowing the eventual outcome, will find the journey both suspenseful and informative.
Revealing both the unique features of the secession story in Arkansas and the issues that Arkansas shared with much of the rest of the South, this collection illustrates how Arkansans debated their place in the nation and, specifically, how the defense of slavery—as both an assurance of continued economic progress and a means of social control—remained central to the decision to leave the Union and fight alongside much of the South for four bloody years of civil war.
Slavery and Sexuality in Classical Antiquity reveals the often hidden and contradictory attitudes concerning the sexual identities and expression of enslaved people. These individuals were typically objectified by both social convention and legal description but were also recognized as human subjects, with subjectivity and sexual desires of their own. The contributors provoke valuable and fascinating questions that not only recognize the trauma and struggles of enslaved people but also point to the apparent inconsistencies in the mindsets of the enslavers. The resulting volume expands our understanding of both sexuality and slavery in ancient Greece and Rome, as separate subjects and as they impacted each other.
This is the first full-scale comparative study of the nature of slavery. In a work of prodigious scholarship and enormous breadth, which draws on the tribal, ancient, premodern, and modern worlds, Orlando Patterson discusses the internal dynamics of slavery in sixty-six societies over time. These include Greece and Rome, medieval Europe, China, Korea, the Islamic kingdoms, Africa, the Caribbean islands, and the American South. Slavery is shown to be a parasitic relationship between master and slave, invariably entailing the violent domination of a natally alienated, or socially dead, person. The phenomenon of slavery as an institution, the author argues, is a single process of recruitment, incorporation on the margin of society, and eventual manumission or death.
Distinctions abound in this work. Beyond the reconceptualization of the basic master–slave relationship and the redefinition of slavery as an institution with universal attributes, Patterson rejects the legalistic Roman concept that places the “slave as property” at the core of the system. Rather, he emphasizes the centrality of sociological, symbolic, and ideological factors interwoven within the slavery system. Along the whole continuum of slavery, the cultural milieu is stressed, as well as political and psychological elements. Materialistic and racial factors are deemphasized. The author is thus able, for example, to deal with “elite” slaves, or even eunuchs, in the same framework of understanding as fieldhands; to uncover previously hidden principles of inheritance of slave and free status; and to show the tight relationship between slavery and freedom.
Interdisciplinary in its methods, this study employs qualitative and quantitative techniques from all the social sciences to demonstrate the universality of structures and processes in slave systems and to reveal cross-cultural variations in the slave trade and in slavery, in rates of manumission, and in the status of freedmen. Slavery and Social Death lays out a vast new corpus of research that underpins an original and provocative thesis.
Winner of the Distinguished Contribution to Scholarship Award, American Sociological Association
Co-Winner of the Ralph J. Bunche Award, American Political Science Association
In a work of prodigious scholarship and enormous breadth, which draws on the tribal, ancient, premodern, and modern worlds, Orlando Patterson discusses the internal dynamics of slavery in sixty-six societies over time. These include Greece and Rome, medieval Europe, China, Korea, the Islamic kingdoms, Africa, the Caribbean islands, and the American South.
Praise for the previous edition:
“Densely packed, closely argued, and highly controversial in its dissent from much of the scholarly conventional wisdom about the function and structure of slavery worldwide.”
—Boston Globe
“There can be no doubt that this rich and learned book will reinvigorate debates that have tended to become too empirical and specialized. Patterson has helped to set out the direction for the next decades of interdisciplinary scholarship.”
—David Brion Davis, New York Review of Books
“This is clearly a major and important work, one which will be widely discussed, cited, and used. I anticipate that it will be considered among the landmarks in the study of slavery, and will be read by historians, sociologists, and anthropologists—as well as many other scholars and students.”
—Stanley Engerman
In the first half of the twentieth century, a charismatic Peruvian Amazonian indigenous chief, José Carlos Amaringo Chico, played a key role in leading his people, the Ashaninka, through the chaos generated by the collapse of the rubber economy in 1910 and the subsequent pressures of colonists, missionaries, and government officials to assimilate them into the national society. Slavery and Utopia reconstructs the life and political trajectory of this leader whom the people called Tasorentsi, the name the Ashaninka give to the world-transforming gods and divine emissaries that come to this earth to aid the Ashaninka in times of crisis.
Fernando Santos-Granero follows Tasorentsi’s transformations as he evolved from being a debt-peon and quasi-slave to being a slave raider; inspirer of an Ashaninka movement against white-mestizo rubber extractors and slave traffickers; paramount chief of a multiethnic, anti-colonial, and anti-slavery uprising; and enthusiastic preacher of an indigenized version of Seventh-Day Adventist doctrine, whose world-transforming message and personal influence extended well beyond Peru’s frontiers. Drawing on an immense body of original materials ranging from archival documents and oral histories to musical recordings and visual works, Santos-Granero presents an in-depth analysis of chief Tasorentsi’s political discourse and actions. He demonstrates that, despite Tasorentsi’s constant self-reinventions, the chief never forsook his millenarian beliefs, anti-slavery discourse, or efforts to liberate his people from white-mestizo oppression. Slavery and Utopia thus convincingly refutes those who claim that the Ashaninka proclivity to messianism is an anthropological invention.
Sowande' Mustakeem's groundbreaking study goes inside the Atlantic slave trade to explore the social conditions and human costs embedded in the world of maritime slavery. Mining ship logs, records and personal documents, Mustakeem teases out the social histories produced between those on traveling ships: slaves, captains, sailors, and surgeons. As she shows, crewmen manufactured captives through enforced dependency, relentless cycles of physical, psychological terror, and pain that led to the the making--and unmaking--of enslaved Africans held and transported onboard slave ships. Mustakeem relates how this process, and related power struggles, played out not just for adult men, but also for women, children, teens, infants, nursing mothers, the elderly, diseased, ailing, and dying. Mustakeem offers provocative new insights into how gender, health, age, illness, and medical treatment intersected with trauma and violence transformed human beings into the world's most commercially sought commodity for over four centuries.
For slaves and slave owners alike, incorporation into the British Empire at the beginning of the nineteenth century brought fruits that were bittersweet. The gentry had initially done well by accepting British rule, but were ultimately faced with the legislated ending of servile labor. To slaves and Khoisan servants, British rule brought freedom, but a freedom that remained limited. The gentry accomplished this feat only with great difficulty. Increasingly, their dominance of the countryside was threatened by English-speaking merchants and money-lenders, a challenge that stimulated early Afrikaner nationalism. The alliances that ensured nineteenth-century colonial stability all but fell apart as the descendants of slaves and Khoisan turned on their erstwhile masters during the South African War of 1899–1902.
Slavery was practiced among North American Indians long before Europeans arrived on these shores, bringing their own version of this “peculiar institution.” Unlike the European institution, however, Native American slavery was function of warfare among tribes, replenishment of population lost through intertribal conflict or disease, and establishment and preservation of tribal standards of behavior. American Indians had little use, in primary purpose of slavery among Europeans.
Theda Perdue here traces the history of slavery among the Cherokee Indians as it evolved from 1540 to 1866, indicating not only why the intrusion of whites, “slaves” contributed nothing to the Cherokee economy. During the colonial period, however, Cherokees actively began to capture members of other tribes and were themselves captured and sold to whites as chattels for the Caribbean slave trade. Also during this period, African slaves were introduced among the Indians, and when intertribal warfare ended, the use of forced labor to increase agricultural and other production emerged within Cherokee society.
Well aware that the institution of black slavery was only one of many important changes that gradually broke down the traditional Cherokee culture after 1540, Professor Perdue integrates her concern with slavery into the total picture of cultural transformation resulting from the clash between European and Amerindian societies. She has made good use of previous anthropological and sociological studies, and presents an excellent summary of the relevant historical materials, ever attempting to see cultural crises from the perspective of the Cherokees. The first over-all account of the effect of slavery upon the Cherokees, Perdue’s acute analysis and readable narrative provide the reader with a new angle of vision on the changing nature of Cherokee culture under the impact of increasing contact with Europeans.
Indian warriors captured a wide range of enemies, including Africans, Europeans, and other Indians. Yet until the late eighteenth century, age and gender more than race affected the fate of captives. As economic and political crises mounted, however, Indians began to racialize slavery and target African Americans. Native people struggling to secure a separate space for themselves in America developed a shared language of race with white settlers. Although the Indians' captivity practices remained fluid long after their neighbors hardened racial lines, the Second Seminole War ultimately tore apart the inclusive communities that Native people had created through centuries of captivity.
Snyder's rich and sweeping history of Indian slavery connects figures like Andrew Jackson and Cherokee chief Dragging Canoe with little-known captives like Antonia Bonnelli, a white teenager from Spanish Florida, and David George, a black runaway from Virginia. Placing the experiences of these individuals within a complex system of captivity and Indians' relations with other peoples, Snyder demonstrates the profound role of Native American history in the American past.
Isaac Royall (1677-1739) was the largest slave owner in Massachusetts in the mid- eighteenth century, and in this book the Royall family and their slaves become the central characters in a compelling cultural-historical narrative. The family's ties to both Massachusetts and Antigua provide a comparative perspective on the transcontinental development of modern ideologies of individualism, colonialism, slavery, and race.
Alexandra A. Chan examines the critical role of material culture in the construction, mediation, and maintenance of social identities and relationships between slaves and masters at the farm. She explores landscapes and artifacts discovered at the site not just as inanimate objects or “cultural leftovers,” but rather as physical embodiments of the assumptions, attitudes, and values of the people who built, shaped, or used them. These material things, she argues, provide a portal into the mind-set of people long gone-not just of the Royall family who controlled much of the material world at the farm, but also of the enslaved, who made up the majority of inhabitants at the site, and who left few other records of their experience.
Using traditional archaeological techniques and analysis, as well as theoretical per- spectives and representational styles of post-processualist schools of thought, Slavery in the Age of Reason is an innovative volume that portrays the Royall family and the people they enslaved “from the inside out.” It should put to rest any lingering myth that the peculiar institution was any less harsh or complex when found in the North.
Alexandra A.Chan currently works in cultural resource management as an archaeolog- ical consultant and principal investigator. As assistant professor of anthropology at Vassar College, 2001-2004, she also developed numerous courses in historical archaeology, archaeological ethics, comparative colonialism, and the archaeology of early African America. She was the project director of the excavations at the Isaac Royall House and Slave Quarters in Medford, Massachusetts, 2000-2001, and continues to serve on the Academic Advisory Council of the museum.
Slavery in the Great Lakes Region of East Africa is a collection of ten studies by the most prominent historians of the region. Slavery was more important in the Great Lakes region of Eastern Africa than often has been assumed, and Africans from the interior played a more complex role than was previously recognized. The essays in this collection reveal the connections between the peoples of the region as well as their encounters with the conquering Europeans. The contributors challenge the assertion that domestic slavery increased in Africa as a result of the international trade. Slavery in this region was not a uniform phenomenon and the line between enslaved and non-slave labor was fine. Kinship ties could mark the difference between free and unfree labor. Social categories were not always clear-cut and the status of a slave could change within a lifetime.
Contents:
- Introduction by Henri Médard
- Language Evidence of Slavery to the Eighteenth Century by David Schoenbrun
- The Rise of Slavery & Social Change in Unyamwezi 1860–1900 by Jan-Georg Deutsch
- Slavery & Forced Labour in the Eastern Congo 1850–1910 by David Northrup
- Legacies of Slavery in North West Uganda ‘The One-Elevens’ by Mark Leopold
- Human Booty in Buganda: The Seizure of People in War, c.1700–c.1900 by Richard Reid
- Stolen People & Autonomous Chiefs in Nineteenth-Century Buganda by Holly Hanson
- Women’s Experiences of Slavery in Late Nineteenth- & Early Twentieth-Century Uganda by Michael W. Tuck
- Slavery & Social Oppression in Ankole 1890–1940 by Edward I. Steinhart
- The Slave Trade in Burundi & Rwanda at the Beginning of German Colonisation 1890–1906 by Jean-Pierre Chretien
- Bunyoro & the Demography of Slavery Debate by Shane Doyle
Slavery’s Descendants brings together contributors from a variety of racial backgrounds, all members or associates of a national racial reconciliation organization called Coming to the Table, to tell their stories of dealing with America’s racial past through their experiences and their family histories. Some are descendants of slaveholders, some are descendants of the enslaved, and many are descendants of both slaveholders and slaves. What they all have in common is a commitment toward collective introspection, and a willingness to think critically about how the nation’s histories of oppression continue to ripple into the present, affecting us all.
The stories in Slavery’s Descendants deal with harrowing topics—rape, lynching, cruelty, shame—but they also describe acts of generosity, gratitude, and love. Together, they help us confront the legacy of slavery to reclaim a more complete picture of U.S. history, one cousin at a time.
Funding for the production of this book was provided by Furthermore, a program of the J. M. Kaplan Fund (https://www.furthermore.org).
Slaves and Slaveholders in Bermuda, 1616-1782, offers a fresh perspective on the complex relationship between racism and slavery in the often overlooked second-oldest English colony in the New World. As the first blacks were brought onto the islands not specifically for slave labor, but for their expertise as pearl divers and cultivators of West Indies plants, Bermuda's racial history began to unfold much differently from that of the Caribbean islands or of the North American mainland.
Bermuda's history records the arrival of the first blacks, the first English law passed to control the behavior of the "Negroes," and the creation of ninety-nine-year indentures for black and Indian servants. When the inevitable reality of slavery took hold in Bermuda, slaveholders realized that they, like their slaves, were not free. Slavery dictated and strained the relationships between whites and blacks, but in this smallest of English colonies it differed from slavery elsewhere because of the uniquely close master-slave relations created by Bermuda's size and maritime economy.
At only twenty-one square miles in area, Bermuda saw slaves and slaveholders working and living closer together than in other societies. The emphasis on maritime pursuits offered slaves a degree of autonomy and a sense of identity unequaled in other English colonies. This groundbreaking history of Bermuda's slavery reveals fewer runaways, less-violent rebellions, and relatively milder punishments for offending slaves.
Bernhard delves into the origins of Bermuda's slavery, its peculiar nature, and its effects on blacks and whites. The study is based on archival research drawn from wills and inventories, laws and court cases, governors' reports and council minutes. Intended as an introduction to both the history of the islands and the rich sources for further research, this book will prove invaluable to scholars of slavery, as well as those interested in historical archaeology, anthropology, maritime history, and colonial history.
The Thirteenth Amendment to the United States Constitution, passed in 1865, has long been viewed as a definitive break with the nation’s past by abolishing slavery and ushering in an inexorable march toward black freedom. Slaves of the State presents a stunning counterhistory to this linear narrative of racial, social, and legal progress in America.
Dennis Childs argues that the incarceration of black people and other historically repressed groups in chain gangs, peon camps, prison plantations, and penitentiaries represents a ghostly perpetuation of chattel slavery. He exposes how the Thirteenth Amendment’s exception clause—allowing for enslavement as “punishment for a crime”—has inaugurated forms of racial capitalist misogynist incarceration that serve as haunting returns of conditions Africans endured in the barracoons and slave ship holds of the Middle Passage, on plantations, and in chattel slavery.
Childs seeks out the historically muted voices of those entombed within terrorizing spaces such as the chain gang rolling cage and the modern solitary confinement cell, engaging the writings of Toni Morrison and Chester Himes as well as a broad range of archival materials, including landmark court cases, prison songs, and testimonies, reaching back to the birth of modern slave plantations such as Louisiana’s “Angola” penitentiary.
Slaves of the State paves the way for a new understanding of chattel slavery as a continuing social reality of U.S. empire—one resting at the very foundation of today’s prison industrial complex that now holds more than 2.3 million people within the country’s jails, prisons, and immigrant detention centers.
The written word and what the eye can see are brought together in this fascinating foray into the depiction of resistance to slavery through the modern medium of film. Natalie Zemon Davis, whose book The Return of Martin Guerre was written while she served as consultant to the French film of the same name, now tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films: Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998).
Davis shows how shifts in the viewpoints of screenwriters and directors parallel those of historians. Spartacus is polarized social history; the films on the Caribbean bring ceremony and carnival to bear on the origins of revolt; Amistad and Beloved draw upon the traumatic wounds in the memory of slavery and the resources for healing them. In each case Davis considers the intentions of filmmakers and evaluates the film and its techniques through historical evidence and interpretation. Family continuity emerges as a major element in the struggle against slavery.
Slaves on Screen is based in part on interviews with the Nobel prize–winning author of Beloved, Toni Morrison, and with Manuel Moreno Fraginals, the historical consultant for The Last Supper. Davis brings a new approach to historical film as a source of “thought experiments” about the past. While the five motion pictures are sometimes cinematic triumphs, with sound history inspiring the imagination, Davis is critical of fictive scenes and characters when they mislead viewers in important ways. Good history makes good films.
Once preoccupied with Brazilian slavery as an economic system, historians shifted their attention to examine the nature of life and community among enslaved people. Stuart B. Schwartz looks at this change while explaining why historians must continue to place their ethnographic approach in the context of enslavement as an oppressive social and economic system. Schwartz demonstrates the complexity of the system by reconsidering work, resistance, kinship, and relations between enslaved persons and peasants. As he shows, enslaved people played a role in shaping not only their lives but Brazil’s institutionalized system of slavery by using their own actions and attitudes to place limits on slaveholders.
A bold analysis of changing ideas in the field, Slaves, Peasants, and Rebels provides insights on how the shifting power relationship between enslaved people and slaveholders reshaped the contours of Brazilian society.
The rise of Zanzibar was based on two major economic transformations. Firstly slaves became used for producing cloves and grains for export. Previously the slaves themselves were exported.
Secondly, there was an increased international demand for luxuries such as ivory. At the same time the price of imported manufactured gods was falling. Zanzibar took advantage of its strategic position to trade as far as the Great Lakes.
However this very economic success increasingly subordinated Zanzibar to Britain, with its anti-slavery crusade and its control over the Indian merchant class.
Professor Sheriff analyses the early stages of the underdevelopment of East Africa and provides a corrective to the dominance of political and diplomatic factors in the history of the area.
Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.
---Tom Hayden
"Slaves to Fashion is a remarkable achievement, several books in one: a gripping history of sweatshops, explaining their decline, fall, and return; a study of how the media portray them; an analysis of the fortunes of the current anti-sweatshop movement; an anatomy of the global traffic in apparel, in particular the South-South competition that sends wages and working conditions plummeting toward the bottom; and not least, a passionate declaration of faith that humanity can find a way to get its work done without sweatshops. This is engaged sociology at its most stimulating."
---Todd Gitlin
". . . unflinchingly portrays the reemergence of the sweatshop in our dog-eat-dog economy."
---Los Angeles Times
Just as Barbara Ehrenreich's Nickel and Dimed uncovered the plight of the working poor in America, Robert J. S. Ross's Slaves to Fashion exposes the dark side of the apparel industry and its exploited workers at home and abroad. It's both a lesson in American business history and a warning about one of the most important issues facing the global capital economy-the reappearance of the sweatshop.
Vividly detailing the decline and tragic rebirth of sweatshop conditions in the American apparel industry of the twentieth century, Ross explains the new sweatshops as a product of unregulated global capitalism and associated deregulation, union erosion, and exploitation of undocumented workers. Using historical material and economic and social data, the author shows that after a brief thirty-five years of fair practices, the U.S. apparel business has once again sunk to shameful abuse and exploitation.
Refreshingly jargon-free but documented in depth, Slaves to Fashion is the only work to estimate the size of the sweatshop problem and to systematically show its impact on apparel workers' wages. It is also unique in its analysis of the budgets and personnel used in enforcing the Fair Labor Standards Act.
Anyone who is concerned about this urgent social and economic topic and wants to go beyond the headlines should read this important and timely contribution to the rising debate on low-wage factory labor.
Among the many rebellions against European colonial empires, the Haitian Revolution against France is among the most dramatic and complex. Having begun in 1791 as France was in the throes of its own young revolution, the conflict reached its dramatic climax when Napoleon dispatched a heavily armed expeditionary force led by his brother-in-law Charles Leclerc to re-establish slavery and the sugar economy that had so enriched France. Philippe Girard’s Slaves Who Defeated Napoleon is a deeply researched and engrossing account of this invasion and its spectacular defeat.
For this ambitious account, Philippe Girard has studied not only primary records in Haiti itself but also rare documents from nineteen public and private archives and research libraries in French, U.S., British, and Spanish collections. His more inclusive approach provides a fuller, more accurate and detailed narrative. He reveals not only key military movements, but also less-known aspects like the activities of U.S. merchants, in-fighting within Napoleon’s government, and communication between both sides and other European powers.
Girard fills the work with unforgettable stories of those who led or were caught up in the war, people like poorly armed Black soldiers who ambushed Bonaparte’s columns, French child drummers, Jewish bankers in Kingston, weapon smugglers from Quaker Philadelphia, Polish artillerists, and mixed-raced people struggling to preserve their freedom against both Black and white opponents.
Transcending pat ideological and racial categories, the book brings into focus an Atlantic society at the crossroads of African and European influences, where Haitian rebels fought France while embracing its ideals.
“A fascinating comparison of the original vampire myths to their later literary transformations.”
—Adam Morton, author of On Evil
“From the Balkan Mountains to Beverly Hills, Bruce has mapped the vampire’s migration. There’s no better guide for the trek.”
—Jan L. Perkowski, Professor, Slavic Department, University of Virginia, and author of Vampires of the Slavs and The Darkling: A Treatise on Slavic Vampirism
“The vampire slayer is our protector, our hero, our Buffy. But how much do we really know about him—or her? Very little, it turns out, and Bruce McClelland shows us why: because the vampire slayer is an unsettling figure, almost as disturbing as the evil she is set to destroy. Prepare to be frightened . . . and enlightened.”
—Corey Robin, author of Fear: The History of a Political Idea
“What is unique about this book is that it is the first of its kind to focus on the vampire hunter, rather than the vampire. As such, it makes a significant contribution to the field. This book will appeal to scholars and researchers of folklore, as well as anyone interested in the literature and popular culture of the vampire.”
—Elizabeth Miller, author of Dracula and A Dracula Handbook
“Shades of Van Helsing! Vampirologist extraordinaire Bruce McClelland has managed that rarest of feats: developing a radically new and thoroughly enlightening perspective on a topic of eternal fascination. Ranging from the icons of popular culture to previously overlooked details of Balkan and Slavic history and folk practice, he has rethought the borders of life and death, good and evil, saint and sinner, vampires and their slayers. Excellent scholarship, and a story that never flags.”
—Bruce Lincoln, Caroline E. Haskell Professor of History of Religions, University of Chicago, and author of Theorizing Myth: Narrative, Ideology, and Scholarship,Authority: Construction and Corrosion, and Death, War, and Sacrifice: Studies in Ideology and Practice
The Sleep of Reason brings together an international group of philosophers, philologists, literary critics, and historians to consider two questions normally kept separate: how is erotic experience understood in classical texts of various kinds, and what ethical judgments and philosophical arguments are made about sex? From same-sex desire to conjugal love, and from Plato and Aristotle to the Roman Stoic Musonius Rufus, the contributors demonstrate the complexity and diversity of classical sexuality. They also show that the ethics of eros, in both Greece and Rome, shared a number of commonalities: a focus not only on self-mastery, but also on reciprocity; a concern among men not just for penetration and display of their power, but also for being gentle and kind, and for being loved for themselves; and that women and even younger men felt not only gratitude and acceptance, but also joy and sexual desire.
Contributors:
* Eva Cantarella
* Kenneth Dover
* Chris Faraone
* Simon Goldhill
* Stephen Halliwell
* David M. Halperin
* J. Samuel Houser
* Maarit Kaimio
* David Konstan
* David Leitao
* Martha C. Nussbaum
* A. W. Price
* Juha Sihvola
Shelley R. Adler's fifteen years of field and archival research focus on the ways in which night-mare attacks have been experienced and interpreted throughout history and across cultures and how, in a unique example of the effect of nocebo (placebo's evil twin), the combination of meaning and biology may result in sudden nocturnal death.
In recent years there has been an explosion of interest in the art and culture of the Harlem Renaissance. Yet this significant collection is the first definitive edition of Harlem Renaissance stories by women. The writers include Gwendolyn Bennett, Jessie Redmon Fauset, Angelina Weld Grimké, Zora Neale Hurston, Nella Larsen, Alice Dunbar-Nelson, and Dorothy West.
Published originally in periodicals such as The Crisis, Fire!!, and Opportunity, these twenty-seven stories have until now been virtually unavailable to readers. These stories are as compelling today as they were in the 1920s and 1930s. In them, we find the themes of black and white racial tension and misunderstanding, economic deprivation, passing, love across and within racial lines, and the attempt to maintain community and uplift the race.
Marcy Knopf's introduction surveys the history of the Harlem Renaissance, the periodicals and books it generated, and describes the rise to prominence of these women writers and their later fall from fame. She also includes a brief biography of each of the writers. Nellie Y. McKay's foreword analyzes the themes and concerns of the stories.
In recent years there has been an explosion of interest in the art and culture of the Harlem Renaissance. Yet this significant collection is the first definitive edition of Harlem Renaissance stories by women. The writers include Gwendolyn Bennett, Jessie Redmon Fauset, Angelina Weld Grimké, Zora Neale Hurston, Nella Larsen, Alice Dunbar-Nelson, and Dorothy West.
Published originally in periodicals such as The Crisis, Fire!!, and Opportunity, these twenty-seven stories have until now been virtually unavailable to readers. These stories are as compelling today as they were in the 1920s and 1930s. In them, we find the themes of black and white racial tension and misunderstanding, economic deprivation, passing, love across and within racial lines, and the attempt to maintain community and uplift the race.
Marcy Knopf's introduction surveys the history of the Harlem Renaissance, the periodicals and books it generated, and describes the rise to prominence of these women writers and their later fall from fame. She also includes a brief biography of each of the writers. Nellie Y. McKay's foreword analyzes the themes and concerns of the stories.
As narrative texts are copied across online forums, they undergo modification, annotation, and reinterpretation by new posters in a folkloric process of repetition and variation. Though by definition legends deal largely with belief and possibility, the crowdsourced mythos behind creepypasta and Slender Man suggests a distinct awareness of fabrication. Slender Man is therefore a new kind of creation: one intentionally created as a fiction but with the look and feel of legend.
Slender Man Is Coming offers an unprecedented folkloristic take on Slender Man, analyzing him within the framework of contemporary legend studies, “creepypastas,” folk belief, and children’s culture. This first folkloric examination of the phenomenon of Slender Man is a must-read for anyone interested in folklore, horror, urban legends, new media, or digital cultures.
Contributors: Timothy H. Evans, Andrea Kitta, Mikel J. Koven, Paul Manning, Andrew Peck, Jeffrey A. Tolbert, Elizabeth Tucker
"Slim's Table is an astonishment. Duneier manages to fling open windows of perception into what it means to be working-class black, how a caring community can proceed from the most ordinary transactions, all the while smashing media-induced stereotypes of the races and race relations."—Citation for Chicago Sun Times Chicago Book of the Year Award
"An instant classic of ethnography that will provoke debate and provide insight for years to come."—Michael Eric Dyson, Chicago Tribune
"Mr. Duneier sees the subjects of his study as people and he sees the scale of their lives as fully human, rather than as diminished versions of grander lives lived elsewhere by people of another color. . . . A welcome antidote to trends in both journalism and sociology."—Roger Wilkins, New York Times Book Review
New in Paper!
Excavated in 1974, the Sloan site in northeast Arkansas is the earliest recognized cemetery in the New World, containing the graves of a small group of Native Americans who died over ten thousand years ago. Although no skeletons were found in the acidic soil, the number, size, and quality of its artifacts attest to the presence of a far more complicated and sophisticated culture than had previously been thought to exist during the Dalton period.
Bringing together the work of thirteen eminent scholars, Dan F. Morse describes and assesses the assemblage of points, adzes, scrapers, abraders, and other stone artifacts as an indicator of the territorial stability of late Pleistocene peoples. The tools show that hunter-gatherer-fisher populations lived in small, semipermanent villages, hunted and butchered white-tailed deer, processed and ate vegetables, and made dugout canoes. And they buried their dead in cemeteries, a practice previously associated only with the rise of horticultural societies. Many of the tools are unused, suggesting ritual interments and a well-developed system of trade with groups in rockier areas.
Including an overview of the Dalton period in the southeastern United States and a discussion of the region’s geologic and vegetal prehistory—and newly supported by extensive high-quality image galleries now available at the website of the Arkansas Archeological Survey (see inside cover)—this comprehensive study of the Sloan artifacts provides a multifaceted assessment of a site rich in information about the technology of a single prehistoric society.
Today Ireland’s population is rising, immigration outpaces emigration, most families have two or at most three children, and full-time farmers are in steady decline. But the opposite was true for more than a century, from the great famine of the 1840s until the 1960s. Between 1922 and 1966—most of the first fifty years after independence—the population of Ireland was falling, in the 1950s as rapidly as in the 1880s. Mary Daly’s The Slow Failure examines not just the reasons for the decline, but the responses to it by politicians, academics, journalists, churchmen, and others who publicly agonized over their nation’s “slow failure.” Eager to reverse population decline but fearful that economic development would undermine Irish national identity, they fashioned statistical evidence to support ultimately fruitless policies to encourage large, rural farm families. Focusing on both Irish government and society, Daly places Ireland’s population history in the mainstream history of independent Ireland.
Daly’s research reveals how pastoral visions of an ideal Ireland made it virtually impossible to reverse the fall in population. Promoting large families, for example, contributed to late marriages, actually slowing population growth further. The crucial issue of emigration failed to attract serious government attention except during World War II; successive Irish governments refused to provide welfare services for emigrants, leaving that role to the Catholic Church. Daly takes these and other elements of an often-sad story, weaving them into essential reading for understanding modern Irish history
“Groundbreaking in its call to reconsider our approach to the slow rhythm of time in the very concrete realms of environmental health and social justice.” —Wold Literature Today
The violence wrought by climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war takes place gradually and often invisibly. Using the innovative concept of "slow violence" to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today. Slow violence, because it is so readily ignored by a hard-charging capitalism, exacerbates the vulnerability of ecosystems and of people who are poor, disempowered, and often involuntarily displaced, while fueling social conflicts that arise from desperation as life-sustaining conditions erode.
In a book of extraordinary scope, Nixon examines a cluster of writer-activists affiliated with the environmentalism of the poor in the global South. By approaching environmental justice literature from this transnational perspective, he exposes the limitations of the national and local frames that dominate environmental writing. And by skillfully illuminating the strategies these writer-activists deploy to give dramatic visibility to environmental emergencies, Nixon invites his readers to engage with some of the most pressing challenges of our time.
This comparison of narrative response with written public reaction to the actual revolts allows Sale to investigate the precise manner in which public opinion regarding definitions of liberty evolved over this crucial period of time between the Revolutionary and Civil Wars. Mapping the ways in which unequally empowered groups claimed and transformed statements associated with the discourse of national identity, Sale succeeds in recovering a historically informed sense of the discursive and activist options available to people of another era.
In its demonstration of how the United States has been uniquely shaped by its dual status as both an imperial and a postcolonial power, this study on the discourse of natural rights and national identity in the pre-Civil War United States will interest students and scholars of American studies, African American studies, gender studies, and American history and literature.
Moon illuminates the careers of James, Warhol, and others by examining the imaginative investments of their protogay childhoods in their work in ways that enable new, more complex cultural readings. He deftly engages notions of initiation and desire not within the traditional framework of “sexual orientation” but through the disorienting effects of imitation. Whether invoking the artist Joseph Cornell’s early fascination with the Great Houdini or turning his attention to James’s self-described “initiation into style” at the age of twelve—when he first encountered the homoerotic imagery in paintings by David, Géricault, and Girodet—Moon reveals how the works of these artists emerge from an engagement that is obsessive to the point of “queerness.”
Rich in historical detail and insistent in its melding of the recent with the remote, the literary with the visual, the popular with the elite, A Small Boy and Others presents a hitherto unimagined tradition of brave and outrageous queer invention. This long-awaited contribution from Moon will be welcomed by all those engaged in literary, cultural, and queer studies.
Drawing on an assessment of eighty small cities between 1970 and 2000, Norman considers the factors that have altered the physical, social, and economic landscapes of such places. These cities are examined in relation to new patterns of immigration, shifts in the global economy, and changing residential preferences. Small Cities USA presents the first large-scale comparison of smaller cities over time in the United States, showing that small cities that have prospered over time have done so because of diverse populations and economies. These "glocal" cities, as Norman calls them, are doing well without necessarily growing into large metropolises.
The essays in Small Tech investigate the cultural impact of digital tools and provide fresh perspectives on mobile technologies such as iPods, digital cameras, and PDAs and software functions like cut, copy, and paste and WYSIWYG. Together they advance new thinking about digital environments.
Contributors: Wendy Warren Austin, Edinboro U; Jim Bizzocchi, Simon Fraser U; Collin Gifford Brooke, Syracuse U; Paul Cesarini, Bowling Green State U; Veronique Chance, U of London; Johanna Drucker, U of Virginia; Jenny Edbauer, Penn State U; Robert A. Emmons Jr., Rutgers U; Johndan Johnson-Eilola, Clarkson U; Richard Kahn, UCLA; Douglas Kellner, UCLA; Karla Saari Kitalong, U of Central Florida; Steve Mann, U of Toronto; Lev Manovich, U of California, San Diego; Adrian Miles, RMIT U; Jason Nolan, Ryerson U; Julian Oliver; Mark Paterson, U of the West of England, Bristol; Isabel Pedersen, Ryerson U; Michael Pennell, U of Rhode Island; Joanna Castner Post, U of Central Arkansas; Teri Rueb, Rhode Island School of Design; James J. Sosnoski; Lance State, Fordham U; Jason Swarts, North Carolina State U; Barry Wellman, U of Toronto; Sean D. Williams, Clemson U; Jeremy Yuille, RMIT U.
Byron Hawk is assistant professor of English at George Mason University.
David M. Rieder is assistant professor of English at North Carolina State University.
Ollie Oviedo is associate professor of English at Eastern New Mexico University.
Through a close study of "Springdale, New York," Arthur J. Vidich and Joseph Bensman depict the small town as continuously and increasingly drawn into the central institutions and processes of the total society. Vidich and Bensman based their conclusions on extensive interviews with and close observation of the inhabitants of one community. The original publication of the book caused a sharp response among the town's citizens who felt their trust had been violated and their town misrepresented.
The present volume includes the editorials and correspondence evoked by that controversy, the authors' articles describing their methodology, a new foreword by Michael W. Hughey, and a new afterword in which Arthur J. Vidich recounts the creation and history of the book.
This authoritative translation by Hong Jiang and Timothy Cheek is accompanied by notes and annotations to help readers not familiar with China's modern history. A special appendix and ten photographs bring to life the culture of Beijing's famous back alleys.
This edition of Small Well Lane provides readers, and especially students of modern Chinese history, politics, and literature, with a compelling story of the human experience of Mao's revolution in China. It will be of interest to students of modern China and specialists in Chinese history and literature as well as to the general reader.
Li Longyun is a professional playwright working at the Beijing People's Art Theater. Hong Jiang is Assistant Professor of Chinese Language and Literature, Colorado College. Timothy Cheek is Associate Professor of History, Colorado College.
Heckman’s narrative stretches from the early-twentieth-century introduction into the home of electric appliances and industrial time-management techniques, through the postwar advent of television and the space-age “house of tomorrow,” to the contemporary automated, networked “smart home.” He considers all these developments in relation to lifestyle and consumer narratives. Building on the tension between agency and control within the walls of homes designed to anticipate and fulfill desires, Heckman engages debates about lifestyle, posthumanism, and rights under the destabilizing influences of consumer technologies, and he considers the utopian and dystopian potential of new media forms. Heckman argues that the achievement of an environment completely attuned to its inhabitants’ specific wants and needs—what he calls the “Perfect Day”—institutionalizes everyday life as the ultimate consumer practice.
In Smaller Cities in a Shrinking World, urban policy expert Alan Mallach seeks to understand how declining population and economic growth, coupled with the other forces that will influence their fates, particularly climate change, will affect the world’s cities over the coming decades. What will it mean to have a world full of shrinking cities? Does it mean that they are doomed to decline in more ways than simply population numbers, or can we uncouple population decline from economic decay, abandoned buildings and impoverishment?
Mallach has spent much of the last thirty or more years working in, looking at, thinking, and writing about shrinking cities—from Trenton, New Jersey, where he was director of housing and economic development, to other American cities like Detroit, Flint, and St. Louis, and from there to cities in Japan and Central and Eastern Europe. He has woven together his experience, research, and analysis in this fascinating, realistic yet hopeful look at how smaller, shrinking cities can thrive, despite the daunting challenges they face.
Denza Dellara is a clumsy Cinderella too big for her hand-me-downs, saddled with a family that frustrates her hopes, and in love with a gargantuan Prince Charming who woos and then betrays her. An engaging Frog Prince appears, and though he has an enormous wart on his forehead, he can end her daydreaming and save her from impending spinsterhood . . . if she lets him.
The people featured live—by choice or circumstances—in one of nine small communities in five states in the Midwest and Great Plains: Iowa, Kansas, Missouri, Nebraska, and Wyoming. Daily they witness people moving out, heading to more urban areas, small businesses closing down, connected infrastructure drying up, entrepreneurs becoming discouraged, and more people thinking about leaving. This is the story we hear in the news, the story told by abandoned farms, consolidated schools, and boarded-up Main Streets.
But it’s not the whole story. As Couch found in her travels throughout the Midwest, many people long to return to these towns, places where they may have deep family roots or where they can enjoy short commutes, familiar neighbors, and proximity to rural and wild places. And many of the residents of small midwestern towns are not just accepting the trend toward urbanization with a sigh. They are betting that the tide of rural population loss can’t go out forever, and they’re backing those bets with creatively repurposed schools, entrepreneurial innovation, and community commitment. From Bellevue, Iowa, to Centennial, Wyoming, the region’s small-town residents remain both hopeful and resilient.
Government “of the people, by the people, for the people” expresses an ideal that resonates in all democracies. Yet poll after poll reveals deep distrust of institutions that seem to have left “the people” out of the governing equation. Government bureaucracies that are supposed to solve critical problems on their own are a troublesome outgrowth of the professionalization of public life in the industrial age. They are especially ill-suited to confronting today’s complex challenges.
Offering a far-reaching program for innovation, Smart Citizens, Smarter State suggests that public decisionmaking could be more effective and legitimate if government were smarter—if our institutions knew how to use technology to leverage citizens’ expertise. Just as individuals use only part of their brainpower to solve most problems, governing institutions make far too little use of the skills and experience of those inside and outside of government with scientific credentials, practical skills, and ground-level street smarts. New tools—what Beth Simone Noveck calls technologies of expertise—are making it possible to match the supply of citizen expertise to the demand for it in government.
Drawing on a wide range of academic disciplines and practical examples from her work as an adviser to governments on institutional innovation, Noveck explores how to create more open and collaborative institutions. In so doing, she puts forward a profound new vision for participatory democracy rooted not in the paltry act of occasional voting or the serendipity of crowdsourcing but in people’s knowledge and know-how.
In the wake of globalization, national governments are becoming increasingly interdependent, and knowledge is arguably becoming the most valuable form of capital. Helmut Willke’s Smart Governance offers a new perspective on global governance from the vantage point of a global knowledge society.
Employing a case study of the global financial system and an analysis of several governance regimes, Willke contends that markets, legal systems, and morality must evolve to cope with uncertainty, build capacities, and achieve resilience. Smart Governance will change the way economists, historians, and political scientists view international cooperation.
Smell and History collects many of the most important recent essays on the history of scent, aromas, perfumes, and ways of smelling. With an introduction by Mark M. Smith—one of the leading social and cultural historians at work today and the preeminent champion in the United States of the emerging field of sensory history—the volume introduces to undergraduate and graduate students as well as to historians of all fields the richness, relevance, and insightfulness of the olfactory to historical study.
Ranging from antiquity to the present, these ten essays, most of them published since 2003, consider how olfaction and scent have shaped the history of medicine, gender, race-making, class formation, religion, urbanization, colonialism, capitalism, and industrialization; how habits and practices of smelling informed ideas about the Enlightenment, modernity, and memory; how smell shaped perceptions of progress and civilization; and how people throughout history have used smell as a way to organize categories and inform worldviews.
Epitomizing the radiating sun and perpetuating the cycles of life and time, fire was—and continues to be—a central force in the Mesoamerican cosmos. Mesoamericans understood heat and flames as animate forces that signified strength and vitality; the most powerful of individuals were embodied with immense heat. Moreover, fire was transformative: it was a means to destroy offerings as well as to transport offerings to otherworldly places. The importance of heat and flames is evident in a spectrum of ritual practices, ranging from the use of sweat baths to the burning of offerings. Human bodies were among the most valuable resources heated or consumed by fire.
This volume addresses the traditions, circumstances, and practices that involved the burning of bodies and bone, to move toward a better understanding of the ideologies behind these acts. It brings together scholars working across Mesoamerica who approach these dual themes (fire and the body) with different methodologies and interdisciplinary lenses. Each contributor illuminates the deeper levels of Mesoamerican ritual practice in light of these themes, while highlighting what is unique to each of the societies that shared Mesoamerican territories.
Called upon for the first time to render military service outside the States, Negro soldiers (called Smoked Yankees by the Spaniards) were eager to improve their status at home by fighting for the white man in the Spanish-American War. Their story is told through countless letters sent to black U.S. newspapers that lacked resources to field their own reporters. The collection constitutes a remarkably complete and otherwise undisclosed amount of the black man’s role in—and attitude toward—America’s struggle for empire.
In first-hand reports of battles in the Philippine Islands and Cuba, Negro soldiers wrote from the perspective of dispossessed citizens struggling to obtain a larger share of the rights and privileges of Americans.
These letters provide a fuller understanding of the exploits of black troops through their reports of military activities and accounts of foreign peoples and its cultures.
As Martin shows, access to land in and around steel and pottery towns allowed residents to preserve rural habits and culture. Workers in these places valued place and local community. Because of their belief in localism, an individualistic ethic of "making do," and company loyalty, they often worked to place limits on union influence. At the same time, this localism allowed workers to adapt to the dictates of industrial capitalism and a continually changing world on their own terms--and retain rural ways to a degree unknown among their urbanized peers. Throughout, Martin ties these themes to illuminating discussions of capital mobility, the ways in which changing work experiences defined gender roles, and the persistent myth that modernizing forces bulldozed docile local cultures.
Revealing and incisive, Smokestacks in the Hills reappraises an overlooked stratum of American labor history and contributes to the ongoing dialogue on shifts in national politics in the postwar era.
For this entertaining and enlightening book, UT sports historian Thomas J. Mattingly has teamed up with longtime Smokey owner Earl C. Hudson to tell the stories of the nine hounds that have been top dog on campus for more than half a century. It was the Rev. Bill Brooks, Hudson’s brother-in-law, whose prize-winning dog “Brooks’ Blue Smokey,” became the first mascot by winning a student body-led contest at a home football game in 1953. The Coonhound breed was selected because it was native to the state, and several (no one remembers exactly how many) were brought onto the field at halftime to compete. But Smokey stole the show when he threw back his head and howled. The crowd cheered, and Smokey howled again. The raucous applause and barking built to a frenzy. The enthusiastic hound won the hearts of the Volunteer faithful that day, and he and the dogs that followed have remained among the University of Tennessee’s most popular symbols ever since.
The authors have interviewed Smokey’s former handlers, university archivists, sports journalists, and local historians as well as legions of longtime fans. Their recollections provide not only the background of the mascot but a history of UT athletics as well. Vol fans will enjoy reading about Smokey’s adventures throughout the years, from his kidnapping in 1955 by mischievous Kentucky students to his confrontation with the Baylor Bear at the 1957 Sugar Bowl to the time he suffered heat exhaustion at the 1991 UCLA game and was listed on the Vols’ injury report until his return later in the season.
Filled with photographs and memorabilia, including vintage game programs, football schedules, letters, cartoons, and more, this book brings to life the magic of UT football and the endearing canines that have become such an indispensable part of the experience.
THOMAS J. MATTINGLY is the author of Tennessee Football: The Peyton Manning Years, The University of Tennessee Football Vault: The Story of the Tennessee Volunteers, 1891-2006, The University of Tennessee All-Access Football Vault and The University of Tennessee Trivia Book. He writes about Vol history on his Knoxville News Sentinel blog, “The Vol Historian.”
EARL C. HUDSON’s family have cared for the Smokeys since 1994.
Pipes lend themselves to anthropological as well as archaeological analysis in part because they are more ceremonial than utilitarian. Thus, while their styles and provenance can reveal something about trade relationships, cultural transfer, and aesthetic influences, they also provide important information about the nature of ritual in a particular society. As the contributors demonstrate, pipes offer a window through which to view the symbolic, ideological, and political roles that smoking has played in North American societies from prehistoric times to the nineteenth century.
The eleven essays included range widely over time and region, beginning with a case study of pipes and mortuary practices in the Ohio Valley during the Early Woodland Period. Subsequent chapters examine stone pipes from coastal North Carolina during the Late Woodland Period and the role pipes played in interregional interaction among protohistoric Native American groups in the Midwest and Northeast. Other essays explore the variety of cultural and political uses of pipes during the period of European contact. The final section of the book focuses on smoking in Euro-American contexts of the seventeenth through nineteenth centuries.
The innovative interpretive approaches taken by the contributors and the broad historical perspective will make The Culture of Smoking a model for examining other categories of material culture, and the volume will be welcomed by anthropologists and historians as well as archaeologists.
Sean M. Rafferty is associate professor of anthropology at the University at Albany, State University of New York.
Rob Mann is the southeast regional archaeologist for Louisiana and is based in the Museum of Natural Science at Louisiana State University.
The 1966 edition of the leading medical textbook states that pregnant women can safely smoke half a pack of cigarettes a day. Yet today, women who smoke during pregnancy are among the most vilified figures in public health campaigns. Laury Oaks argues this shift is not due solely to medical findings indicating that cigarette smoking may harm the fetus. Also responsible are a variety of social factors that converged more than a decade ago to construct the demonized category of the “pregnant smoker.”
This book charts the emergence of smoking during pregnancy as a public health concern and social problem. Oaks looks at the emphasis public health educators place on individual responsibility, the current legal and social assertion of fetal personhood, the changing expectations of pregnant and prepregnant women, and the advent of antismoking campaigns. She explores how public health educators discuss “the problem” with one another, how they communicate with pregnant smokers, and how these women themselves understand the “risk” of fetal harm. Finally, Oaks discusses the various meanings of “objective” statistics on the effects of smoking on the fetus, exploring the significance of cultural context in assessing the relative importance of those numbers. She argues that rather than bombarding pregnant women with statistics, health educators should consider the daily lives of these women and their socioeconomic status to understand why some women choose to smoke during pregnancy. Without downplaying the seriousness of the health risks that smoking poses to women and their babies, the book supports new efforts that challenge the moral policing of pregnant smokers.
Smoothing the Jew investigates how Jewish artists of the time attempted to “smooth over” these demeaning portrayals by focusing on the first Jewish comic strip published in English, Harry Hershfield’s Abie the Agent. Jeffrey Marx demonstrates how Hershfield created a Jewish protagonist who in part reassured nativists of the Jews’ ability to assimilate into American society while also encouraging immigrants and their children that, over time, they would be able to adopt American customs without losing their distinctly Jewish identity.
Waffle House has long been touted as an icon of the American South. The restaurant’s consistent foregrounding as a resonant symbol of regional character proves relevant for understanding much about the people, events, and foodways shaping the sociopolitical contours of today’s Bible Belt. Whether approached as a comedic punchline on the Internet, television, and other popular media or elevated as a genuine touchstone of messy American modernity, Waffle House, its employees, and everyday clientele do much to transcend such one-dimensional characterizations, earning distinction in ways that regularly go unsung.
Smothered and Covered: Waffle House and the Southern Imaginary is the first book to socioculturally assess the chain within the field of contemporary food studies. In this groundbreaking work, Ty Matejowsky argues that Waffle House’s often beleaguered public persona is informed by various complexities and contradictions. Critically unpacking the iconic eatery from a less reductive perspective offers readers a more realistic and nuanced portrait of Waffle House, shedding light on how it both reflects and influences a prevailing southern imaginary—an amorphous and sometimes conflicting collection of images, ideas, attitudes, practices, linguistic accents, histories, and fantasies that frames understandings about a vibrant if also paradoxical geographic region.
Matejowsky discusses Waffle House’s roots in established southern foodways and traces the chain’s development from a lunch-counter restaurant that emerged across the South. He also considers Waffle House’s place in American and southern popular culture, highlighting its myriad depictions in music, television, film, fiction, stand-up comedy, and sports. Altogether, Matejowsky deftly and persuasively demonstrates how Waffle House serves as a microcosm of today’s South with all the accolades and criticisms this distinction entails.
When the Golden Venture ran aground off New York's coast in 1993 and ten of the 260 Chinese on board drowned, the public outcry about human smuggling became front-page news. Probing into the causes and consequences of this clandestine traffic, Ko-lin Chin has interviewed more than 300 people -- smugglers, immigrants, government officials, and business owners -- in the United States, China, and Taiwan. Their poignant and chilling testimony describes a flourishing industry in which smugglers -- big and little snakeheads -- command fees as high as $30,000 to move desperate but hopeful men and women around the world. For many who survive the hunger, filthy and crowded conditions, physical and sexual abuse, and other perils of the arduous journey, life in the United States, specifically in New York's Chinatown, is a disappointment if not a curse. Few will return to China, though, because their families depend on the money and status gained by having a relative in the States.
In Smuggled Chinese, Ko-lin Chin puts a human face on this intractable international problem, showing how flaws in national policies and lax law enforcement perpetuate the cycle of desperation and suffering. He strongly believes, however, that the problem of human smuggling will continue as long as China's citizens are deprived of fundamental human rights and economic security.
Smuggled Chinese will engage readers interested in human rights, Asian and Asian American studies, urban studies, and sociology.
By studying the historical flows of contraband and vice across North American borders, the contributors seek to bring a greater understanding of borderlanders, the actual agents of historical change who often remain on the periphery of most historical analyses that focus on the state or on policy.
To examine the political, economic, and social shifts resulting from the transnational movement of goods, people, and ideas, these contributions employ the analytical categories of race, class, modernity, and gender that underlie this evolution. Chapters focus on the ways power relations created opportunities for engaging in “deviance,” thus questioning the constructs of economic reality versus concepts of criminal behavior. Looking through the lens of transnational flows of contraband and vice, the authors develop a new understanding of nation, immigration, modernization, globalization, consumer society, and border culture.
Smut investigates sex in a way that differes from nearly all previous books on the subject. Drawing on a wide variety of literary forms, including the work of novelists, poets, and even comedians–resources ranging from the most sublime theologians to the most profane pornographers–Murray S. Davis goes beyond those who regard sex merely as a biological instinct or animal behavior. He recaptures sex for the social sciences by reemphasizing the aspects of it that are unique to human beings in all their rich perplexity.
In part one, Davis employs a phenomenlogical approach to examine the differrence between sexual arousal and ordinary experience: sexual arousal, he argues, alters a person's experience of the world, resulting in an "erotic reality" that contratsts strikingly to our everyday reality; different perceptions of time, space, human bodies, and other social types occur in each realm. Davis describes in detail the movement from everyday into erotic reality from the first subtle castings-off to the shocking post-orgasmic return.
In part two the author employs a structuralist approach to determine why some people find this alternation between realities "dirty." He begins with a meditation on the similarity between sex and dirt and then asks, "How must somone view the world for him to find sex dirty?" Normal sex can be disliked, Davis concludes, only if it violates a certain conception of the individual; perverted sex can be despised only if it further violates certain conceptions of social relations and social organization. Davis ends part two with a "periodic table of perversions" that systematically summarizes the fundamental social elements out of which those who find sex dirty construct their world.
Finally, in part three Davis considers other conceptual grids affected by the alternation between everyday and erotic realities: the "pornographic," which concieves of the individual, social relations, and social organizations as deserving to disrupted by sex; and the "naturalistic," which concieves of them in a way that cannot be disrupted by sex. Throughout history these ideologies have contested for control over Western society, and, in his conlusion, Davis ofers a prognosis for the future of sex based on these historical ideological cycles.
Chalfen’s “Polaroid People” are recognizable—if ironically viewed—relatives, uncles, aunts, and All-American kids. As members of “Kodak Culture” they watch home movies, take pictures of newborn babies, and even, in their darker moments, scratch out the faces of disliked relatives in group photographs. He examines who shoots these photos and why, as well as how they think (or don’t) of planning, editing, and exhibiting their shots. Chalfen’s analysis reveals the culturally structured behavior underlying seemingly spontaneous photographic activities.
Contributors: Chris King Chi Chan, Chu Yiu-Wai, Alexander Day, Arif Dirlik, Han Shaogong, Pun Ngai, Fengzhen Wang, Wang Hui, Wang Shaoguang, Shaobo Xie, Yu Keping
Over three million years ago, our ancient ancestors realized that rocks could be broken into sharp-edged objects for slicing meat, making the first knives. This discovery resulted in a good meal and eventually changed the fate of our species and our planet.
With So Much Stuff, archaeologist Chip Colwell sets out to investigate why humankind went from self-sufficient primates to nonstop shoppers, from needing nothing to needing everything. Along the way, he uncovers spectacular and strange points around the world—an Italian cave with the world’s first known painted art, a Hong Kong skyscraper where a priestess channels the gods, and a mountain of trash that rivals the Statue of Liberty. Through these examples, Colwell shows how humanity took three leaps that led to stuff becoming inseparable from our lives, inspiring a love affair with things that may lead to our downfall. Now, as landfills brim and oceans drown in trash, Colwell issues a timely call to reevaluate our relationship with the things that both created and threaten to undo our overstuffed planet.
Illustrated with numerous stories collected from Alaska, the Yukon, and South Africa and further enlivened by the author's accessible style and experiences as a longtime oral historian and archivist, So They Understand is a comprehensive study of the special challenges and concerns involved in documenting, representing, preserving, and interpreting oral narratives. The title of the book comes from a quotation by Chief Peter John, the traditional chief of the Tanana Chiefs region in central Alaska: "In between the lines is something special going on in their minds, and that has got to be brought to light, so they understand just exactly what is said."
William Schneider discusses how stories work in relation to their cultures and performance settings, sorts out different types of stories-from broad genres such as personal narratives and life histories to such more specific and less-often considered types as presentations at hearings and other public gatherings-and examines a variety of critical issues, including the roles and relationships of storytellers and interviewers, accurate representation and preservation of stories and their performances, understanding and interpreting their cultural backgrounds and meanings, and intellectual property rights. Throughout, he blends a diverse selection of stories, including his own, into a text rich with pertinent examples.
William Schneider is curator of oral history and associate in anthropology at the Rasmuson Library, University of Alaska Fairbanks, where he introduced oral history "jukeboxes," innovative interactive, multimedia computer files that present and cross-reference audio oral history and related photos and maps. Among other works, his publications include, as editor, Kusiq: An Eskimo Life History from the Arctic Coast of Alaska and, with Phyllis Morrow, When Our Words Return: Writing, Hearing, and Remembering Oral Traditions of Alaska and the Yukon.
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